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The first play of The Nora Theatre Company’s
2004-2005 season is Antigone, in
a new adaptation from the Sophocles by award-winning actor and accomplished
playwright/adapter, Richard McElvain, directed by Daniel Gidron.
Passion. Politics. Pride. In times of fundamental
threats to the security of a nation, at what point does the state’s
safety take precedence over the individual freedoms and personal consciences
of its citizens? When does a government overreach its task? Can a leader
admit he is wrong? In this gritty new adaptation of a classic story of
a young woman who must follow her own heart and defy the law of the land,
the timeless themes and uneasy questions of loyalty, patriotism and personal
morality are illuminated afresh in a vivid contemporary context.
McElvain, an Elliot Norton Award-winning actor, has
been writing, translating and adapting plays for thirty years. His most
recent projects include adaptations of Moliere’s The Miser and Le
Bourgeoise Gentilhomme. “I think it’s imperative to
explore the themes of this play during this election year,” said
McElvain, “In the character of Creon, we have an overreaching leader
who cannot admit any mistakes, and is willing to compromise the rights
of individuals to advance his political and personal agenda. The consequences
of his choices are staggering. Additionally, I am fascinated by the larger
theme of self-knowledge. The important thing in life is to know who we
are and why we try to do things.”
Mary C. Huntington added, “Greek playwrights
mercilessly examined our human nature, including our destructive impulses.
Several local theaters have produced Greek plays recently and I don’t
think it’s a coincidence that we’re turning to these remarkable
playwrights for sustenance and self-knowledge as we witness the course
of current events during this tense time.”
Daniel Gidron, director of last season’s critically
acclaimed Full Gallop at The Nora, is at the helm of this cast
of nine lead by McElvain, who is playing the role of Creon, and Marianna
Bassham in the title role. Set design is by Brynna Bloomfield, who returns
to The Nora after designing the set for last season’s hit, Full
Gallop; Original music and sound design by Dewey Dellay, whose last
projects with The Nora include Van Gogh in Japan and Full
Gallop. Costume designer Jacqueline Dalley returns to The Nora after Van
Gogh in Japan as well.
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